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“I woke up in the middle of the night with that line in my head,” he said, “sat down at the piano and had written it in half an hour. In 1991, to UK’s The Independent, Sting spoke of the origins of the song, admitting his own revisionism: Yet a little research confirmed that which we long suspected.
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Proof of this are the endless online stories which state this as the official meaning of this famous song. Evidently people love the idea of a song meaning something other than what it seems to be. It was a story that caught on immediately. This is the story which everyone now accepts as truth: although it seems sunny, it’s dark. And people have actually misinterpreted it as being a gentle little love song, when it’s quite the opposite.” “The song is very, very sinister,” Sting said to the BBC, “and ugly. He then started embellishing the story to tell us there was more to this song than we knew. “The song has the standard structure of a pop ballad,” he said, “but there is no harmonic development after the middle eight, no release of emotions.” Rather than celebrate his ability to create a song so pure that the masses loved it more than any of his songs, he would disparage its simplicity. Yet Sting has always seemed a little ashamed of its simplicity, as if that disqualifies it to be so much more loved and popular than those songs which offered more overt evidence of his brilliance. It won the Grammy in 1983 for Best Song of the Year. It became the signature song of The Police, and one of the biggest radio hits of all time. Unlike other fairly heavyweight subjects on the same album, such as the title song Synchronicity, it seemed surprisingly sunny and romantic.
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With these simple words of love, all neatly rhymed, and a lovely melody, it’s extremely appealing.Īlso Andy Summers’ arpeggiated guitar part punctuates it perfectly, as does Stewart Copeland’s drums. Of course, simplicity is a virtue in songwriting that fundamental folk song tune has the same changes as “Stand By Me” and so many other songs.
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Yet it’s also one of his simplest songs, with a common chord sequence, simple melody and fairly basic words. It is the most popular song Sting has ever written, as it’s one of the biggest hits ever. Which is that the story behind this song as commonly told now is erroneous. It seemed like revisionism at first, and now, after some investigation, we know the truth. The story behind “Every Breath You Take,” however, is more clearly defined. That one smacks of revisionism, though there is no proof. radio host Chris Douridas, McCartney said that only recently did he remember why he’d written it. And then confirmed that, yes, it is about racism. Though he never mentioned that interpretation for decades, he started using it often. A potential example is Paul McCartney’s stories about his beautiful “Blackbird,” which several writers suggested was not about birds, but about racism. It wouldn’t be the first time that a songwriter fudged the facts about the meaning of a famous song. But it never seemed entirely genuine, and smacked of a kind of songwriter revisionism, when a songwriter changes the facts about the original intention or meaning of a song. The story behind this song is one often told. Is the official story behind this beloved song true? Or is it an instance of intentional revisionism?